CNN
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Actress Kirstie Alley, star of the big and small screens known for her Emmy-winning role on “Cheers” and films like “Look Who’s Talking,” has died after a brief battle with cancer, her children True and Lillie Parker announced on her social media.

She was 71.

“We are sad to inform you that our incredible, fierce and loving mother has passed away after a battle with cancer, only recently discovered,” the statement read.

“She was surrounded by her closest family and fought with great strength, leaving us with a certainty of her never-ending joy of living and whatever adventures lie ahead,” the family’s statement continued. “As iconic as she was on screen, she was an even more amazing mother and grandmother.”

“Our mother’s zest and passion for life, her children, grandchildren and her many animals, not to mention her eternal joy of creating, were unparalleled and leave us inspired to live life to the fullest just as she did,” the statement said.

A representative for Alley confirmed to CNN via email on Tuesday that she had been diagnosed with colon cancer prior to her death.

A two-time Primetime Emmy Award winner, Alley was born in Wichita, Kansas in 1951.

After a standout role in 1982’s “Star Trek II: The Wrath of Khan,” she played roles in movies like 1984’s “Blind Date” and 1987’s “Summer School” opposite Mark Harmon.

That same year, Alley would follow Shelley Long to play the lead opposite Ted Danson in the latter part of TV classic sitcom “Cheers,” which premiered in 1982. Alley first appeared in 1987, playing strong and independent bar manager Rebecca Howe, staying on the acclaimed show until it ended in 1993.

After winning the Emmy for outstanding lead actress in a comedy series in 1991 for “Cheers” and another for lead actress in a miniseries or special for 1994’s “David’s Mother,” she again found TV success in the late ’90s with series “Veronica’s Closet,” which scored her another Emmy nod.

Additionally, Alley starred in a number of memorable films, like the “Look Who’s Talking” movies, 1990’s “Madhouse” and 1999’s “Drop Dead Gorgeous” with Ellen Barkin.

In 2005, Alley co-wrote and starred in the Showtime comedy “Fat Actress” before making a foray into reality TV.

She appeared in “Kirstie Alley’s Big Life” in 2010, was a contestant on Season 12 of ABC’s “Dancing with the Stars” the next year and placed second on Season 22 of the British version of “Celebrity Big Brother” in 2018. In 2022, she competed in Season 7 of Fox’s “The Masked Singer.”

Though she had an impressive body of work, the later part of her career was marked by Alley’s penchant for stirring controversy, especially through social media.

In a 2007 interview, Alley said she was proud of her no holds barred ways.

“I’ve always felt like if someone asks me something, they want the real answer,” Alley told Good Housekeeping. “I think there’s also something about being from Kansas. Usually people think I’m from New York. The only similarity between New Yorkers and Midwesterners is that what you see is what you get.”

John Travolta, who costarred with Alley in 1989’s hit “Look Who’s Talking” as well as two sequels, wrote on Instagram on Monday, “Kirstie was one of the most special relationships I’ve ever had. I love you Kirstie. I know we will see each other again.”

Jamie Lee Curtis – who worked with Alley in 2016 on episodes of TV’s “Scream Queens” – shared a statement on Facebook to pay tribute to the late actress, writing, “She was a great comic foil in @tvscreamqueens and a beautiful mama bear in her very real life. She helped me buy onesies for my family that year for Christmas. We agreed to disagree about some things but had a mutual respect and connection. Sad news.”

Josh Gad tweeted, “My heart breaks for Kirstie and her family. Whether it was her brilliance in ‘Cheers; or her magnetic performance in the ‘Look Who’s Talking’ franchise, her smile was always infectious, her laugh was always contagious and her charisma was always iconic. RIP.”

Alley’s “Cheers” co-star Ted Danson told Deadline he had just watched Alley in an episode of the show while on a plane before learning of her death.

“I was on a plane today and did something I rarely do. I watched an old episode of ‘Cheers,’” Danson told the outlet. “It was the episode where Tom Berenger proposes to Kirstie, who keeps saying no, even though she desperately wants to say yes. Kirstie was truly brilliant in it. Her ability to play a woman on the verge of a nervous breakdown was both moving and hysterically funny.”

“She made me laugh 30 years ago when she shot that scene, and she made me laugh today just as hard. As I got off the plane, I heard that Kirstie had died. I am so sad and so grateful for all the times she made me laugh,” Danson added. “I send my love to her children. As they well know, their mother had a heart of gold. I will miss her.”

Another “Cheers” star, Rhea Perlman, told CNN in a statement that she and Alley became friends instantly on the set of “Cheers.”

“Kirstie was a unique and wonderful person and friend. Her joy of being was boundless,” Perlman said. “We became friends almost instantly when she joined the cast of Cheers. She loved kids and my kids loved her too. We had sleepovers at her house, with treasure hunts that she created. She had massive Halloween and Easter parties and invited the entire crew of the show and their families. She wanted everyone to feel included. She loved her children deeply. I’ve never met anyone remotely like her. I feel so thankful to have known her. I’m going to miss her very, very much.”

“Baywatch” actor Parker Stevenson, who was married to Alley from 1983 to 1997 and is the father of her two children, also paid tribute to her on social media. In an Instagram post, confirmed to be Stevenson’s by a representative for the actor, he wrote: “Kirstie, I am so grateful for our years together, and for the two incredibly beautiful children and now grandchildren that we have. You will be missed.”

Editor’s Note: This article was originally published by The Art Newspaper, an editorial partner of CNN Style.

CNN
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Kwame Brathwaite, the pioneering activist and photographer whose work helped define the aesthetics of the “Black is Beautiful” movement of the 1960s and beyond, died on April 1, aged 85.

His son, Kwame Brathwaite, Jr, announced his father’s death in an Instagram post that read in part, “I am deeply saddened to share that my Baba, the patriarch of our family, our rock and my hero has transitioned.”

Brathwaite’s work has been the subject of resurgent interest from curators, historians and collectors in recent years, and his first major institutional retrospective, which was organized by the Aperture Foundation, made its debut in 2019 at the Skirball Cultural Center in Los Angeles before touring the country.

Brathwaite was born in 1938 to Barbadian immigrants, in what he referred to as “the People’s Republic of Brooklyn” in New York, though his family moved from there to Harlem and then to the South Bronx when Brathwaite was 5 years old. He attended the School of Industrial Art (now the High School of Art and Design) and, according to profiles of Brathwaite in T Magazine and Vice, was drawn to photography by two moments. The first was in August of 1955, when a 17-year-old Brathwaite encountered David Jackson’s haunting photograph of a brutalized Emmett Till in his open casket. The second was in 1956, when — after he and his brother Elombe co-founded the African Jazz Arts Society and Studios (AJASS) — Brathwaite saw a young man taking photos in a dark jazz club without the use of a flash, and his mind became alight with possibility.

Using a Hasselblad medium-format camera, Brathwaite attempted to do the same, learning to work with limited light in a manner that enhanced the visual narrative of his imagery. He would soon also develop a darkroom technique that enriched and deepened how Black skin would appear in his photography, honing the practice in a small darkroom in his Harlem apartment. Brathwaite went on to photograph jazz legends performing throughout the 1950s and ’60s, including Miles Davis, John Coltrane, Thelonious Monk and others.

“You want to get the feeling, the mood that you’re experiencing when they’re playing,” Brathwaite told Aperture Magazine in 2017. “That’s the thing. You want to capture that.”

By the early 1960s, alongside the rest of AJASS, Brathwaite began using his photography and organizing prowess to consciously push back against whitewashed, Eurocentric beauty standards. The group came up with the concept of the Grandassa Models, young Black women whom Brathwaite would photograph, celebrating and accentuating their features. In 1962, AJASS organized “Naturally ’62”, a fashion show held in a Harlem club called the Purple Manor and featuring the models. The show would go on to be held regularly until 1992. In 1966, Brathwaite married his wife Sikolo, a Grandassa Model whom he had met on the street the year prior when he asked if he could take her portrait. The two remained married for the rest of Brathwaite’s life.

By the 1970s, Brathwaite’s focus on jazz shifted to other forms of popular Black music. In 1974, he traveled to Africa with the Jackson Five to document their tour, also photographing the historic “Rumble in the Jungle” boxing match between Muhammad Ali and George Foreman in what’s now the Democratic Republic of Congo that same year. Commissions in this era also saw Brathwaite photographing Nina Simone, Stevie Wonder, Sly and the Family Stone, Bob Marley and other music legends.

Throughout the ensuing decades, Brathwaite continued to explore and develop his mode of photography, all through the lens of the “Black is Beautiful” ethos. In 2016, Brathwaite joined the roster of Philip Martin Gallery in Los Angeles, and he was continuing to photograph commissions as recently as 2018, when he shot artist and stylist Joanne Petit-Frère for The New Yorker.

T Magazine’s 2021 profile, published on the occasion of Brathwaite’s retrospective traveling to the Blanton Museum of Art in Austin, Texas, noted that the photographer’s health was failing such that he was unable to be interviewed for the article. A separate exhibition, “Kwame Brathwaite: Things Well Worth Waiting For,” is currently on view at the Art Institute of Chicago, where it will remain until July 24.

Top image: Kwame Brathwaite, “Untitled (Sikolo Brathwaite, Orange Portrait),” 1968

Editor’s Note: Dean Obeidallah, a former attorney, is the host of SiriusXM radio’s daily program “The Dean Obeidallah Show.” Follow him @DeanObeidallah@masto.ai. The opinions expressed in this commentary are his own. View more opinion on CNN.

CNN
 — 

Last year, GOP Rep. Marjorie Taylor Greene of Georgia spoke at a white nationalist event organized by Holocaust denier Nick Fuentes that caused Republican leaders to denounce her.

Last week, Greene’s Twitter account was temporarily suspended by the Elon Musk-headed platform over a tweet with a graphic referring to a “Trans Day of Vengeance,” as she denounced a planned transgender rights rally.

And come Tuesday, Greene has announced plans to protest in New York City when former President Donald Trump is expected to be arraigned on an indictment of more than 30 counts, calling the proceedings against him an “unconstitutional WITCH HUNT!”

But on Sunday, Greene was featured on CBS’ “60 Minutes” in an interview the long-running show promoted on Twitter with the tease: “Republican Rep. Marjorie Taylor Greene, nicknamed MTG, isn’t afraid to share her opinions, no matter how intense and in-your-face they are. She sits down with Lesley Stahl this Sunday on 60 Minutes.” The images attached to this tweet by “60 Minutes” include Greene and Stahl walking through the US Capitol, taking a stroll outside and Greene showing Stahl something on her phone.

In the segment that aired Sunday night, Stahl noted the congresswoman had moved from the fringe to the GOP’s front row in two years despite a “sharp tongue” and “some pretty radical views” as well as “over the top” comments such as “the Democrats are a party of pedophiles.” Stahl also referred to video of Greene chasing a Parkland, Florida, school shooting survivor, still maintaining that the 2020 election was stolen and failing to criticize Trump over spending. (The interview was conducted before news of his indictment.)

But Stahl didn’t mention Greene spoke at a white nationalist event a year ago while a member of Congress or her extreme anti-Muslim views and her defense of January 6 rioters.

Criticism of CBS for amplifying Greene has been swift and well-deserved even before the program aired. Former GOP Rep. Adam Kinzinger of Illinois tweeted beforehand: “Wow. Insane that 60 min would do this.” (Kinzinger is a CNN senior political commentator.)

Journalist Molly Jong-Fast also slammed “60 Minutes” with the tweet: “Attention is currency and 60 minutes is spending its currency on the Jewish space lasers woman.” (Jong-Fast was apparently referring to Greene’s past claim that a massive California wildfire was started by “a laser” beamed from space controlled by a prominent Jewish banking family.)

David Hogg, who survived the 2018 horrific school shooting at Marjory Stoneman Douglas High School in Parkland and has since become an activist against gun violence, responded, “I look forward to your questions about why she thinks school shootings are fake and why she’s supported QAnon.”

Greene amplified the conspiracy theory — two years before being elected to Congress — that the Parkland shooting that took 17 lives was staged. And in 2019, Greene appeared on video confronting Hogg outside the Capitol when he was championing laws to save lives from gun violence, screaming that the then-teenager was a “coward.” She also called Hogg “#littleHitler” on social media.

Greene’s own tweet promoting Sunday’s segment was not filled with her typical smears of “fake news” when she doesn’t like the coverage. Rather, Greene urged people to tune in as she praised “60 Minutes” host Stahl (and misspelled her first name): “It was an honor to spend a few days with the legendary icon Leslie Stahl and talented crew @60Minutes.” Greene added, “Leslie is a trailblazer for women in journalism. And while we may disagree on some issues, I respect her greatly.”

Now, it is true that “60 Minutes” over its 50-plus-year history has featured what the show has dubbed “controversial” guests. These include a 2000 interview with Oklahoma City bomber Timothy McVeigh, whose 1995 terrorist attack left 168 dead, including 19 children. And the show did a 1979 interview with Iran’s Ayatollah Ruhollah Khomeini.

Perhaps “60 Minutes” views Greene — who has repeatedly downplayed and even defended the January 6, 2021, attack plus called for the GOP to become the party of “Christian nationalism” — in the vein of its long list of controversial guests. (CBS had not responded to a request from CNN for comment at time of publishing.)

However, the choice of Greene as a guest instantly recalls the comments of then-CBS CEO Les Moonves during Trump’s 2016 presidential campaign when he admitted that Trump’s candidacy “may not be good for America, but it’s damn good for CBS.” Moonves added, “The money’s rolling in and this is fun. … (T)his is going to be a very good year for us,” concluding, “Sorry. It’s a terrible thing to say. But bring it on, Donald. Keep going.”

Moonves may be gone from CBS, but it appears his mindset continues at “60 Minutes.” And that may be good for “60 Minutes,” but it’s definitely not good for America.

A version of this story first appeared in CNN Business’ Before the Bell newsletter. Not a subscriber? You can sign up right here. You can listen to an audio version of the newsletter by clicking the same link.

New York
CNN
 — 

Americans have grown used to corporate executives treading the well-worn paths of the Northeast corridor to convene alongside elected officials in Washington, DC, and discuss geopolitics, policy and all that’s in-between.

In 2017, major CEOs from across the country came together to oppose North Carolina’s transgender bathroom law. In 2019, they called abortion bans “bad for business.”

After the deadly attack on the US Capitol on January 6, 2021, many of corporate America’s biggest names denounced the rioters and pledged to halt their political giving.

Recently, more than 1,000 companies promised to voluntarily curtail their operations in Russia in protest of Moscow’s war on Ukraine.

Dick’s Sporting Goods stopped selling semi-automatic, assault-style rifles at stores and Citigroup put new restrictions on gun sales by business customers after the mass shooting at a high school in Parkland, Florida, in 2018.

A year later, after mass shootings at a Walmart in El Paso, Texas, and a nightclub in Dayton, Ohio, Walmart ended handgun ammunition sales.

Corporate leadership has long been vocal on the issue of gun control – in 2019 and again this past summer nearly 150 major companies – including Lululemon, Lyft, Bain Capital, Bloomberg LP, Permanente Medical Group and Unilever – called gun violence a “public health crisis” and demanded that the US Senate pass legislation to address it.

That’s why corporate America’s silence in the wake of the latest mass shooting at a school in Nashville is so jarring. The United States has come to rely on the increasing power of large corporations as political advocates.

But Yale professor Jeffrey Sonnenfeld, a vocal advocate of corporate social responsibility who has a direct line to major CEOs around the globe, said that top executives are forlorn. Their previous efforts haven’t done much to push the needle on gun control legislation and without more backing, they don’t know what else they can do at the moment, he said.

Before the Bell spoke with Sonnenfeld, who runs Yale School of Management’s Chief Executive Leadership Institute, a nonprofit educational and research institute focused on CEO leadership and corporate governance.

This interview has been edited for clarity and length.

Before the Bell: CEOs have been quiet about gun reform since the latest mass school shooting in Nashville, have you heard anything about plans to speak out?

Jeffrey Sonnenfeld: Where is everybody else? Where is all of civil society? CEOs are just one group of people and it’s like we’re turning to them to be our saviors on every topic. They’ve joined causes with valor and nobility but they can’t just be taking cause after cause as if there’s nobody else in society. The social change that happened in the 1960s wasn’t being led primarily by CEOs. Social changes really happened when we saw the interfaith activity of clergy locking arms and canvassing legislators. We saw campuses alive and aroused. Where’s all the student activism?

The CEOs are still the most active even if they’re less active than they were six months ago. They’re not there as hired hands of shareholders to fill the role of politicians and civic leaders. They’re there to join that chorus, but they don’t want to be the only one singing.

So is this what you’re hearing from top CEOs? Have they gotten tired of advocating?

I just got off of a CEO call on voting rights and this morning we had a forum on sustainability – CEOs are still the most active on these fronts. It’s the same thing on immigration reform. If a CEO was working an 18 hour day on a 12 day week, they still couldn’t address all of the issues that need addressing.

The nation’s CEOs are waiting for everybody else to join them. They don’t need to restate something they’ve already stated. They’ve jumped in the pool, where’s everybody else?

So what do you think has led to this complacency amongst Americans and the growing reliance on CEOs to advocate on our behalf?

They’ve taken a very strong stance and they’ve gone out further than the general public. They are where the general public is on surveys, but they’re not where the general public is on action in the streets. So we’re ready for others to now do something. Enough already on saying ‘what are the CEOs doing?’ Social capital is as valuable as financial capital. CEOs understand that in their soul, they want there to be social capital. They want there to be public trust, but they need the rest of civil society to join them. And that’s their frustration.

It sounds like CEOs are frustrated?

Yeah, they’re frustrated.

But don’t these CEOs hold the purse strings in terms of donating to powerful politicians?

You would think that, but since the 2020 elections much less of campaign contributions have come from big business. Since the 2021 run on the Capitol, a lot of businesses either had an official moratorium or they’ve given mere pennies to politicians. The common impression on the street that CEOs are controlling campaign purses strings is 100% wrong.

By CNN’s Chris Isidore

Tesla reported. a modest 4% rise in sales in the first quarter compared to the final three months of last year, despite a series of price cuts on its lower priced vehicles and talk by CEO Elon Musk about strong demand at those lower prices.

The first quarter also marked the fourth straight quarter that Tesla has produced more vehicles than it has delivered to customers. Some of that may be due to the ramp up in production at two new factories, one in Texas, the other in Germany, which opened last spring, and a lag between that increased production and sales.

Tesla said there was an increase in the number of its more expensive models, the Model S and Model X, in transit to Europe, the Middle East and Africa, as well as to the Asia Pacific region.

But it does mean that over the last 12 months Tesla has produced 78,000 more cars than it has sold, suggesting that talk of strong demand by Tesla executives may not be backed up by the numbers.

“Early this year, we had a price adjustment. After that, we actually generated a huge demand, more than we can produce, really,” said Tom Zhu, Tesla’s executive in charge of global production and sales. “And as Elon said, as long as you offer a product with value at affordable price, you don’t have to worry about demand.”