Kashyap Defends 'Dhurandhar' Against Propaganda Claims, Labels Criticism as Political Maneuvering

In a significant intervention within India's cinematic discourse, acclaimed filmmaker Anurag Kashyap has robustly defended the mainstream film 'Dhurandhar,' starring Ranveer Singh, against allegations of serving as political propaganda. Kashyap, known for his independent cinema and critical voice, characterized the film as a 'courageous' entry into mainstream Bollywood, challenging the narrative that reduces its artistic merit to partisan messaging. He asserted that the act of labeling the film as propaganda constitutes, in itself, a form of propaganda—a strategic attempt to delegitimize its content and broader cultural impact. This statement, delivered during a recent public engagement, underscores the intensifying debate surrounding art, politics, and national narrative in contemporary Indian media. Analysts view Kashyap's remarks as a pointed critique of the polarized environment where cultural products are frequently assessed through ideological lenses rather than cinematic quality. The defense elevates the discussion beyond mere film criticism, positioning it within larger contests over narrative control and artistic freedom in the public sphere. The film's reception continues to be a bellwether for the complex interplay between popular cinema and political discourse in the region.